Citizen Cope

Press

Press
by Simona Rabinovitch
Published March 2, 2010 · Spinner
 "My shows are pretty intense," Clarence Greenwood, a.k.a. Citizen Cope, tells Spinner before a sold-out show in his adopted hometown of New York. "When you play music it can take you deep. There's a presence, a sense of awareness and consciousness that takes over."

Even just speaking with the raspy-voiced singer, songwriter and producer feels almost mystical -- he's so real, it's surreal. But before things get too trippy, he cracks a joke: "I don't do too much dancin' or anything, no trapeze," he quips, confessing to periods of intense introversion and shyness.

"I used to get really bad stage fright and never expected to be a performing artist. I always saw myself as more of a producer or a songwriter. But the more I performed the better I got at it, and the more comfortable I got."


Born in Memphis, TN and raised in Washington, DC, the 41-year old Brooklyn resident is beginning a rigorous tour to support his new album, 'The Rainwater LP.' The debut release on his own label, RainWater Recordings, it's his fourth studio record. It also takes Citizen Cope's unique urban alchemy of downtempo hip-hop, acoustic rock, jazz, blues and funk to the deep-end.

Self-produced in Brooklyn and Malibu, the ten-song effort is best listened to as a story from start to finish, rather than a collection of singles. And as its name suggests, it does have a sexy, sepia-toned LP feel.

"I try to make an album something you can listen to from start to finish," said the mellow, dreadlocked musician. "Something with a little bit of pacing, a journey."

But the journey isn't about one specific life experience or moment in time. Rather, he draws from the past, collective consciousness and universal emotion.

"As a writer you don't necessarily have write about something happening right now -- it might be five years, or ten years, or twenty years later. Certain people are able to tap into that universal kind of thing, into emotions that everyone has experienced in different ways: pain, joy, love, life. The person can see themselves in the song and identify with the emotion and take it in as their own. That's why it can be difficult to explain what a song is about -- songs tap into our subconscious more than we think."

Tour Stories, Cinemax (July 24, 2010)
Get Hooked: Citizen Cope, YoungHollywood.com (April 13, 2010)
In Concert: Citizen Cope at the Wiltern, Los Angeles, LiveDaily.com (April 8, 2010)
Review: Citizen Cope delivers on latest disc, Associated Press (March 2, 2010)
Citizen Cope Learning to Cope with Stage Fright, Spinner (March 2, 2010)
Citizen Cope: Thinking outside the box, Chicago Sun Times (March 1, 2010)
Citizen Cope Sold Out Three Nights in Boston, Blog Critics Music (February 27, 2010)
Review: CITIZEN COPE - PRINCE ALBERT (GREAT ESCAPE) , (May 16, 2009)
Citizen Cope, Relentless7 Celebrate Clinch , Jambands.com (December 11, 2008)
Concert Review: Citizen Cope at the House of Blues 10.9, Pegasus News (October 10, 2008)
Solo acoustic act keeps crowd on its toes, The Ithican Online (October 9, 2008)
The Audacity of Cope, Relix Magazine (October 8, 2008)
The dope on Cope: songwriter to come to the State, The Ithaca Journal (September 25, 2008)
Dates set for acoustic Citizen Cope tour, TicketNews (June 30, 2008)
Music : "Coming back", The Martha's Vineyard Times (June 26, 2008)
Citizen Cope sets the summer standard, Spark (June 25, 2008)
Citizen Cope live at the 100 Club, LIVE (March 15, 2008)
Artist Review: Citizen Cope 2.22.08, DetroitChic.com (February 22, 2008)
Citizen Cope looks to broaden his audience, Pittsburg Tribune-Review (February 14, 2008)
Greenwood proves how to 'Cope' without a watch, The Post and Courier (February 14, 2008)
From the Recher Theater, Citizen Cope astounds, The Loyola Grayhound (February 12, 2008)
Citizen Cope: Thinking outside the box, Chicago Sun Times (November 30, 1999)